Many Faces
The second version of Human-eating Forest — a vessel crowded with serene faces, continuing the living mound into a quieter, collective form.
Hand-built ceramic studies — faces, vessels, and organic textures explored away from the screen, where touch and repetition replace pixels.
Hand-built ceramic studies — faces, vessels, and organic textures explored away from the screen, where touch and repetition replace pixels.
The second version of Human-eating Forest — a vessel crowded with serene faces, continuing the living mound into a quieter, collective form.
On Cantonese Opera fading from view — the circular stamps mark the sizes of currency coins pressed into the face.
Version one — a living mound of pores and hollows; an organic forest that seems to swallow what approaches it.
Each character holds a different meaning — silent, emptiness, freeze, and crying cancer.
OFF-DUTY INTERESTS & EXPLORATIONS
The meditative ritual of tuning a guitar or the lighthearted strum of a ukulele. For Cindy, music is the bridge between structural design and emotive resonance.
Translating rhythm and dissonance into visual structure.
The meditative ritual of tuning a guitar or the lighthearted strum of a ukulele.
Sitting for editorial hair work — texture, color, and silhouette shaped under studio light. Another way of studying form, presence, and how detail holds a frame.
Editorial hair work — studying texture, color, and presence in the frame.
Quiet time by the water — watching the tide rewrite the shore and the sky settle into pink. A reset found in open space and slow horizons.
Tide & Light.
Quiet time by the water — watching the tide rewrite the shore and the sky settle into pink.
"Design is how we live, not just what we make."