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Clay
Works

Hand-built ceramic studies — faces, vessels, and organic textures explored away from the screen, where touch and repetition replace pixels.

CERAMICS
01 / ARCHIVE CLAY
Many Faces — second version of Human-eating Forest

Many Faces

The second version of Human-eating Forest — a vessel crowded with serene faces, continuing the living mound into a quieter, collective form.

HUMAN-EATING FOREST VERSION 02
02 / ARCHIVE CLAY
Fading Show — Cantonese Opera clay sculpture with coin-sized stamps

Fading Show

On Cantonese Opera fading from view — the circular stamps mark the sizes of currency coins pressed into the face.

CANTONESE OPERA COIN STAMPS
03 / ARCHIVE V.01
Human-eating Forest ceramic sculpture

Human-eating Forest

Version one — a living mound of pores and hollows; an organic forest that seems to swallow what approaches it.

VERSION 01 ORGANIC
04 / ARCHIVE SERIES
Ceramic characters: Silent, Emptiness, Freeze, Crying Cancer

Four Meanings

Each character holds a different meaning — silent, emptiness, freeze, and crying cancer.

SILENT EMPTINESS FREEZE CRYING CANCER

Life Outside

OFF-DUTY INTERESTS & EXPLORATIONS

Electric guitar
01 / SONIC GUITAR

Translating rhythm and dissonance into visual structure.

The meditative ritual of tuning a guitar or the lighthearted strum of a ukulele.

Cindy Yuen hair modelling editorial
02 / HAIR MODELLING

Editorial hair work — studying texture, color, and presence in the frame.

Beach at twilight
03 / NATURE HORIZON

Tide & Light.

Quiet time by the water — watching the tide rewrite the shore and the sky settle into pink.

"Design is how we live, not just what we make."